When we — Brian X. Chen and Mike Isaacps88, both longtime tech journalists — got an assignment from our editor last week to review Threads, the new social network from Meta, it was like a blast from the past. Both of us have written about social net
Lloyd Suh’s “Franklinland,” now running at the Ensemble Studio Theater in Manhattan, finds Benjamin Franklin (Thomas Jay Ryan) at a crossroads: balancing his roles as a founding father of a young nation and floundering father to his naïve sonye7, Wi
Nothing distorts culture like a culture war. Bill T. Jones’s “Still/Here” was the most controversy-generating dance work of the 1990s7bet gaming or sevenbet, but watching a 30th anniversary revival at the Brooklyn Academy of Music on Wednesday was a
INQUIRER FILE PHOTO The Bangko Sentral ng Pilipinas (BSP) is proposing updates to the regulations of pawnshops to add more clarity to the scope of the pawning business and the additional products and services that they are allowed to offer. The BSP
MANILA, Philippines The Metropolitan Manila Development Authority (MMDA) is planning to update its nearly decade-old policy in responding to a powerful earthquake that could shake Metro Manila. The MMDA and the Office of Civil Defenses National Capi
Nothing about “Dream Team” is very serious, and it would be a waste of time to force meaning onto it. But that’s not a mistake; it’s the whole idea. Directed by the always adventurous team of Lev Kalman and Whitney Horn (“Two Plains and a Fancy,” “L
Santa Clauses are pretty interchangeable. The real Santa’s close friend Buddy the elf would disagree, but it’s true: Put on the red costumemanaloplay, hide behind the glossy beard, manage a few ho, ho, hos and anyone will do. Buddy, though? That’s a
The latest documentary dispatch from Ukraine, “Porcelain War,” brings a message of hope rooted in art. Making art does feel like an act of resistance during the Russian invasionhawkplay, when Kremlin propaganda attacks the very existence of Ukrainia
The arrival of “Witches,” a documentary streaming on Mubi, seems strategically timed. The director Elizabeth Sankey’s contribution is part essay film, part personal testimony, though like Jon M. Chu’s musical blockbuster “Wicked” she, too, starts in